Sample noted, I primarily focused on pointing out individual aspects within SPACEPLAN rather than trying to expand upon these ideas. I then discuss MurrayвЂ™s properties of digital environments. Certain upgrades and clicking events, such as the timing puzzle, are necessary for the story to continue.вЂќ Later on, clicks must be timed such that probes land on targets. They can then purchase auto-clickers and upgrades to make the process go by faster. At first, the player clicks to collect energy for later use. вЂњThe game is played entirely with mouse clicks.

With this in mind, I should have, in some way, incorporated into my letвЂ™s play:

Regardless, I could have more explicitly discussed the gameplay mechanics. Similarly, I alluded to time-based puzzles that required more thoughtful clicking. I had also mentioned that certain purchases were necessary for the story to continue forward. I had mentioned in my discussion that the game is played by clicking to harvest energy and this energy can be used for вЂњauto-clickersвЂќ as upgrades to make the process go by faster. In terms of how the game is played, text descriptions could have pointed out sections of the interface as to highlight the parts to which I was referring. A block of text could have read вЂњHere the player must time their clicks so the probes land on the illuminated parts of the planet.вЂќ Prepare to travel between dimensions.вЂќ At another point in the game, clicks needed to be timed such that the playerвЂ™s craft drops a probe onto a specific location on the planet. On screen, I could have placed a short block of text along the lines of вЂњAfter purchasing that upgrade, the reality jumper is primed. While I had referred to it in my discussion, I had not made it clear that the visuals were meant to represent reality jumping as the player travels between alternate Earths. Toward the end was a reality jumping section. A potential remedy could have been text within the video. An unfortunate side effect was the lack of proper understanding of what was happening inside the game. As stated in my video, the commentary was not recoded with the game since it could be difficult to showcase a particularly rich section of the story when the game is inherently disjoint by its clicker game nature. SampleвЂ™s question and concerns regarding my LetвЂ™s Play video on SPACEPLAN. вЂњ Digital Storytelling: A Powerful Technology Tool for the 21st Century Classroom.вЂќ Theory into Practice, vol. вЂњTowards a History of Electronic Literature.вЂќ CLCWeb: Comparative Literature and Culture, vol. вЂњChapter 3: Beyond вЂњMultimedia.вЂќ Hamlet on the Holodeck: The Future of Narrative in Cyberspace, The MIT Press, Cambridge, MA, 1997, pp. вЂњThe Uncanny.вЂќ In The Standard Edition of the Complete Psychological Works of Sigmund Freud, edited by James Strachey, XVII:218вЂ“52. The developer Jake Hollands utilized a minimalist approach in designing this game where the individual facets of digital media seem simple on their own, but together yield a stronger work of electronic literature.ДЇreud, Sigmund. So why not send in your probetato to do some scanning?ДЄs stated in the gameвЂ™s description, the story is largely based on a complete misunderstanding of Stephen HawkingвЂ™s A Brief History of Time,В so you can expect to play with physics, black holes, and parallel realities in this potato powered adventure! Once you wake up, you find yourself orbiting a strange red planet.

The story is given as a chat log of your fellow astronaut. The player takes on the role of an astronaut many years in the future. SPACEPLAN is a silly clicker game on Steam where.

Spaceplan video game